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Travelling to Tincup is partially fiction but mainly factual - although some places, times and all names have been changed. It has psychological undertones and elements of mystery and menace. It charts the life and death of an Englishman, Simon Maitland, who was introduced to the Cold War world of intelligence-gathering at an early age and who subsequently developed an obsessive though amateur interest in that shadowy craft. He was also a passionate angler, and his two main interests eventually interact to set the scene – at Tincup Fishing Lodge in Canada’s northerly territory of The Yukon - for his death in 1995. The book is mainly in the form of a narrative written by an acquaintance of Simon who reconstructs the story from the latter’s diaries. Action shifts between England, Czechoslovakia, Austria and Canada. The settings and social environments used in the book are all authentic as are the descriptions of military equipment and intelligence-gathering methods. There is a love story at the core of the narrative. Fact blends seamlessly with fiction and every seemingly random, unrelated event in the earlier chapters of the book has a relevance to the eventual outcome.
Simon should have died a natural death, just as he
should have lived an ordinary life. That he did neither could possibly be put
down to either circumstances or happenstances, but I believe the true reason was
obsession or perhaps compulsion – the distinction between the two behaviours is
fine and may be influenced by the observer’s own point of view. I
was Simon’s observer, but I have deliberately excluded myself from most of this
story of his because, as physicists know well, the act of observing can alter
the state of the observed.
After his death I came into possession of a manuscript, or rather a collection
of incomplete writings, that indicate that Simon was preparing to write a book –
a biography perhaps, or a story, except that much of what he wrote I knew to be
true. What I didn’t know, and still do not know, is how much was fiction. Some
of the writing was in the form of diary-like notes, other parts comprised
fully-fledged chapters of a book, and still others almost random thoughts on his
life, and times, and people he had known. Perhaps he wrote solely for his own
eyes – as an act of catharsis or confession. And
then there was Brigitte, whom he loved and yet (in his mind only, perhaps)
betrayed. He wrote copiously about her and I must admit that I, too, fell for
her as I transposed his notes. From
these writings of his and from my own observations I have constructed this book.
Some of the chapters are in the first person, narrated by Simon; I lifted them
directly from his manuscripts and, apart from some minor editing, they are
exactly as he wrote them and reveal much of his character. The final chapter,
however, was devised entirely by me. James Symes
Driven
There is no doubt that Simon had a passion for trout
and salmon fishing. The seed of this passion was planted in the mind of a
13-year-old boy fishing a river behind the Iron Curtain in the 1950s. The seed
germinated during his boarding school days in The
other driver in Simon’s life seems to have been an irresistible attraction to
the world of espionage and intelligence gathering. Again, this attraction
started for him while he was living behind the Iron Curtain as the child of a
British diplomat. Unwittingly, one presumes, his father planted this seed, never
imagining where it might lead his son. It shouldn’t have led anywhere. This
attraction – a fatal fascination – led Simon into situations where he had no
business to be. And as each situation arose he could have said, “No, I’ll not be
a party to this.” But he didn’t. This driver of his life was more than a
passion; it became a compulsive obsession. Its emergence was probably a near
inevitable outcome of Simon’s character which was obsessive in other ways: a
meticulous attention to detail, a compulsion to make lists, and an extraordinary
ability to analyse, dissect and solve complex engineering and other problems.
These characteristics served Simon well in his chosen field of work but,
ultimately, poorly in his life. Paradoxically, in his life and post-mortem, Simon seems often to have come across as rather over self-controlled and passionless – seemingly lacking in emotion – a ‘Cold Fish’ perhaps. But this apparent passivity arose from the necessity – to his mind at least – to keep much of what he had learned as a schoolboy and practiced as a young engineer locked away inside his head. He could not discuss these character-forming experiences with any of his friends, or his wife, or his lovers. His way of sharing them was to commit them to his private papers.
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